The Man with One Body and Two Personalities

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I have a problem.

You see, I have two personas and only one body.

I am Jack Mackenzie, author who is trying to write a sequel to his book DEBT’S PLEDGE and who is trying to keep this blog updated on a semi-regular basis.

But I am also M.D. Jackson, an artist who occasionally gets paid to do actual illustration work. Kind of like the one at the top of this blog post but… not that one. That one was just done for shits and giggles.

No, M.D. Jackson is a real artist who has to actually do real artwork. That takes time. And despite having two personas I only get twenty-four hours in a day and I spend a disturbing amount of that time sleeping and eating.

So, the point of this post is that M. D. Jackson is in the middle of working on a commission and so Jack Mackenzie has to be quiet, just as if he were bound and gagged and stuffed in a closet.

Don’t worry. He can breathe. I’ll let him out when the job is done… hopefully soon.

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Time Like Broken Glass

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Okay. This is the post where I say: Buy my book. You can click away if you want. I’ll understand.

On the other hand, if you’re on the hunt for a book for your Kindle or other e-reader and you like fantasy novels, then this just might be the post for you.

Time Like Broken Glass is a fantasy novel but it is also a time travel story. If you like Doctor Who, you might like this book. If you like fantasy novels with lots of magic, then you’ll like this book. If you like urban fantasy… if you liked Neil Gaiman’s Neverwhere… then you may well like this book.

It has elements of Medieval fantasy, Elizabethan fantasy and Urban fantasy all mixed together. And it has time travel.

If you like any of those things then you may well like Time Like Broken Glass.

So… buy my book!

http://www.amazon.com/Time-Like-Broken-Glass-Magistria-ebook/dp/B00XT97DKO

There. I said it. Now let’s move on to something else…

Vampirella: Character or Commodity?

(This is a cross post with the AMAZING STORIES MAGAZINE website where I blog as MD Jackson)

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gonzalez6ftposterPoor Vampirella.

You look at her and you think that she’s free to do what she wants, that she is in charge of her own destiny. The truth is, she is merely a commodity, bought and sold like so much chattel. She is a slave dancing to the whims of her cruel master, who, at this time, is Dynamite Entertainment.

Like a slave from bygone times she has had several owners throughout her miserable life. She has been bought, used up and then sold off to the next buyer.

But it’s not just her alone. All fictional characters are owned by somebody and most of the ones that everyone knows about have likely been bought and sold at least once. They are properties of their creators or their publishing or other entertainment companies and will be until they get so old that they get to enjoy a kind of retirement when they finally slip into the green pasture known as Public Domain.

It was September of 1969, just after the “Summer of Love”. Flower children everywhere were basking in the warm glow of the apex of the hippie era, blissfully unaware of the harsh cold winter that was about to come upon them. It was a time of great upheaval and social change and Forrest J. Ackerman thought: “Hey! We need a sexy vampire woman!”

vampi_trina_robbinsInspired by Jean-Claude Forest’s science fiction heroine Barbarella, who had been made into a film the year before by Roger Vadim, starring his then wife Jane Fonda, Forrest J. Ackerman and James Warren of Warren Publishing came up with the idea of a “vampire-ella” as a counterpoint to the ghoulish male presenters of Warren’s comic magazines Eerie and Creepy.

Ackerman and Warren took the idea to artist Trina Robbins who came up with the general look and a costume which would suggest a vampire’s usual attire but be kind of bathing suit-like to show off Vampirella’s physical attributes.

They took this idea to a rising star in the art world, a powerhouse of an artist named Frank Frazetta. Robbins described the outfit and Frazetta provided the first illustration of the character. Frazetta’s interpretation of Vampirella from Trina Robbin’s description gave her more of some things and less of others… like clothing.

frazetta_vampirella69sep“His original cover art of Vampirella looked a lot like my idea,” Trina Robbins said. “but her costume shrunk.”

With each issue the men drawing the sexy heroine seemed to find ways to make the costume smaller to show off more of Vampirella’s other assets. “By now it doesn’t bear any resemblance to what I designed.” Robbins says.

Vampirella began life as a slightly tacky bit of titillation used to introduce the real horror stories in the early issues of the magazine that bore her name. Eventually, though she grew into a strong character in her own right with her own entourage of supporting cast – both heroes and villains. As time passed the focus was less and less on the traditional horror story and more on the Vampirella story, which quickly established itself as the lead story and the cover page subject.

Jim Warren had the good sense to recognize real artistic talent and many of the top writers and artists in comic book history were published in Vampirella. The one artist who stood out head and shoulders over the rest and who’s art defined Vampirella for decades to come was José “Pepe” Gonzalez, a talented artist originally from Barcelona, Spain.

barbaraleigh-fjaThe magazine was a big success and it ran for 112 issues, finally ending its run in 1983 with the demise of Warren Publishing. After a period in limbo Harris Comics bought the Vampirella title and launched her back into the spotlight.

Their first foray was a “continuation” of the Warren magazine format with issue #113, which had limited success. As such, it is one of the most sought after and rare Vampirella comics. Having tested the water, Harris then produced a range of comics, trade paperbacks, and magazines as well as various peripheral items such as statues and trading cards.

After a steady decline in sales Harris Publishing decided that the Vampirella character was no longer a viable concern. In 2010 Vampirella was sold to Dynamite Entertainment. Dynamite kicked off a new look Vampirella with a monthly series in November 2010.

talisa-soto-2In her time as a comic book icon Vampirella has been drawn by many artists and portrayed by a multitude of models and other pin-up girls. Hammer films tried to turn the property into a movie in 1976. Plans were to have Peter Cushing and John Gielgud in supporting roles to Barbara Legh’s Vampirella. Sadly the project fell through as did Hammer Films shortly afterward.

Vampirella eventually did make it into the movies, albeit not in such a big way. Roger Corman produced a direct-to-video Vampirella in 1996. The film was done on the cheap and it looks it (Vampirella’s outfit looks like an off-the-rack plastic Halloween costume). Former Bond Girl Talisa Soto was cast as Vampirella, despite not having quite the same… assets.

Poor Vampirella. She has been bought and sold, exploited by men, forced to wear a skimpy, barely-there costume, had her origin story changed several times, had her memories stolen, altered and returned to her, and still she goes on working for her cruel masters, providing cheap titillation for the fanboy masses.

When will her suffering end? Will she ever reach the promised land of the Public Domain?

Okay, maybe I’ve pushed the slave metaphor a bit too far. Maybe I’m trying too hard to make some sort of salient and profound point in order to turn this post into something more than just an excuse to show pictures of Vampirella. Then again, Ralph Waldo Emerson said that beauty is it’s own excuse for being. Maybe we can say the same about Vampirella?

Or maybe I’ll just be quiet and you can look at the pictures.

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It’s About Time…

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TIME LIKE BROKEN GLASS is my first fantasy novel, although not my first fantasy story. Nor is it even the first story that I have written for this particular fantasy setting.

This novel represents my third foray into the world of Magistria, a fantasy universe created over ten years ago by writer G. W. Thomas. Inspired by the shared world anthologies like Robert Lynn Aspirin’s THIEVES WORLD or the WILD CARDS universe created by George R. R. Martin, Thomas conceived of a magical world where mages controlled a certain element. There were mages who could control fire, some who could control ice and others who could control metal or plants. There were even mages whose specialty was death and whose arcane talents could reanimate dead flesh.

511bpMnaamL._SY344_BO1,204,203,200_I was only one of more than a dozen authors who contributed a story to the first anthology, MAGISTRIA: THE REALM OF THE SORCERER back in 2005 and I was in good company. Lillian Csernica, Joshua M. Reynolds, Laurence Barker, Robert Burke Richardson and Robert J Santa were only a handful of the anazing writers who submitted stories. (The book is still available today from Amazon.com if you want to check it out).

Working from the shared world introduction and outline – the “bible” of the universe, if you will – I seized on the idea of the air mage. The air mage was a sorcerer who could control the winds. I liked that idea but I wondered if there could be a subset of those mages who controlled the air in a more subtle way, by manipulating the air using vibration.

To that end I wrote The Singer and the Song, a story about Foundman Singer, an air mage who had lost his memory due to a trauma and did not know that he was an air mage.

The first anthology was moderately successful so a second anthology was planned. For this I wrote a story called Seeds in Winter about a plant mage attempting to learn the secrets of a death mage to ressurect her dead lover.

Magistria2displayThe first anthology had been edited by G.W. Thomas. The second one was to have been edited by Robert J. Santa at his own Ricasso Press. At the time, freshly excited about the Magistria universe, I suggested to Rob that I could write a novel length story about Magistria. He was behind the idea so I began writing the story that would eventually become TIME LIKE BROKEN GLASS.

Unfortunately Ricasso Press never released the second anthology.

By that time, G. W. Thomas had moved on to other things and the anthology was forgotten. TIME LIKE BROKEN GLASS sat in a (virtual) drawer for a long time.

Years later and G.W. Thomas is now in charge of RAGE MACHINE BOOKS. Rage Machine had published my first two novels, the second of which, DEBT’S PLEDGE enjoyed considerable success. I immediately began to write a sequel to DEBT’S PLEDGE. I was keen to have it finished and published one year after the publication date of the first book.

Unfortunately, other obligations got in the way and progress on that book was slowed down to the point where I was not going to make that deadline.

I had another book written, but was not convinced that it was “up to snuff”. I suggested that perhaps Rage Machine could finally publish TIME LIKE BROKEN GLASS. G.W. Was behind the idea and now, finally, the book can see print.

TIME LIKE BROKEN GLASS is a fantasy novel, featuring magic and magicians, But it is also a time travel story. I am chiefly a science fiction writer and I have always been fascinated with time travel. I love books, movies and tv shows featuring travel through time from Kieth Laumer’s Dinosaur Beach to THE TIME TUNNEL to DOCTOR WHO.

But time travel is usually a science fiction trope. What kind of a high fantasy could I write with time travel as its central conceit? So I created the time mage and with a lot of enthusiasm and heedless of the potential confusion I went ahead and wrote it. Constructing a narrative that involves time travel can be tricky. It requires meticulous planning and careful plotting.

But I didn’t do any of that. I just threw all the pieces in the air and started juggling as best I could, hoping that the entire thing would make sense when it was all done.

Surprisingly, it did!

How well? You can judge that for yourself. It is available at Amazon.com right here and will soon be available at other e-book venues as well as print versions.

Coming Soon: Time Like Broken Glass

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“In a world of magic one city is the focal point for a desperate struggle that is fought through all of time.

Mages harness the powers of different elements – air, fire, ice, metal, even death – and wield that power in their struggle to survive. But one powerful mage can cantrol time itself. Now mages and mortals alike find themselves allied against that power and three heroes, separated by vast gulfs of time, must find a way to save the magic, the great city and existence itself.”

This is my first fantasy novel and it will be released in the next couple of days from RAGE MACHINE BOOKS. Look for a longer post about the book and about the universe in which it is set: Magistria!

DID YOU GET A KINDLE FOR CHRISTMAS?

Did you buy a Kobo on Boxing Day? Did you recently get an e-reader either as a gift or at a bargain price?

If so, may I make a few humble suggestions?

   

The Mask of Eternity and The Green Beast are both available for Kindle.

 


Or check out the Rage Machine Bookstore page where you can find other titles by Jack Mackenzie and other terrific writers!

Exciting fiction available at Boxing Day prices!

…AND YOU SPIN IN THE SLIPSTREAM

I’ve been hearing a lot lately about a literary genre that has been dubbed Slipstream.

Now, I’m not really one to care about literary genres. As far as I’m concerned a good story is a good story regardless of what genre box it is placed into (and to me, Slipstream is the title of a song from Jethro Tull’s 1971 album Aqualung). However, reading about the slipstream genre has got me thinking about this because the definition so ephemeral.

According to Wikipedia, Slipstream is: “…a kind of fantastic or non-realistic fiction that crosses conventional genre boundaries between science fiction/fantasy and mainstream literary fiction…Slipstream falls between speculative fiction and mainstream fiction. While some slipstream novels employ elements of science fiction or fantasy, not all do. The common unifying factor of these pieces of literature is some degree of the surreal, the not-entirely-real, or the markedly anti-real.”

Okay, that sounds good but as a definition it is kind of slippery. So what are examples of writing that can be called Slipstream? Well, apparently Kurt Vonnegut was writing slipstream fiction without even knowing it. His 1969 novel Slaughterhouse 5 is an example of the Slipstream genre. J.G. Ballard’s Empire of the Sun is an example. So is Brian Aldis’ Life in the West and Margaret Atwood’s The Handmaid’s Tale.

Okay, these are “literary” works with somewhat of a fantasy or SF element to them, sure, but let’s go on. Also on the list, apparently, is The Princess Bride by William Goldman and Arthur Rex by Thomas Berger. Huh?

So what gives?

The term slipstream was coined by author Bruce Sterling in an article originally published in July 1989. Sterling, along with William Gibson, was one of the early writers of the so-called “cyberpunk” movement back in the 1980’s. He also seems to specialize in creating literary genres. He is credited with (or at least he takes credit for) creating the literary genre of steampunk along with William Gibson in their 1990 novel The Difference Engine. This was before steampunk was co-opted into a visual esthetic.

Of slipstream Sterling writes: “…this is a kind of writing which simply makes you feel very strange; the way that living in the twentieth century makes you feel, if you are a person of a certain sensibility.”

Okay. That doesn’t help much either. I lived most of my life in the twentieth century, so how can living in it feel strange? Strange as compared to what? Do we all feel better now that we’re living in the twenty-first century? Within this broad definition also could fit works as disparate as Abraham Lincoln: Vampire Hunter and Joseph Conrad’s Heart of Darkness.

And what about literature from previous centuries. One feels strange when reading Alice in Wonderland and Through the Looking Glass. Are they slipstream books?

It’s starting to sound like one of those: “…whatever I am pointing to when I say the word” kind of definitions. You know, as I try to chase this slipstream thing down I begin to feel more and more like Alice chasing the white rabbit.

Curioser and curioser indeed!